Canon lens

Peter R. Miller is a fan of NBA and Dave Boss his partner. In Los Angles based on sport shooter  r Peter Read Miller has the relaxed but assured air of someone who knows exactly what he’s doing, knows his place in the universe, and likes it there and sport fan says ” what’s like to be in sport illustrated shooter”. The 400mm and 600mm lenses are on monopods, the 70-200mm is slung over his shoulder, the 24-70mm is around his neck, and the 16-35mm is in either a belt or shoulder pouch. The cameras and lenses are in individual cases, which are then padded with rain covers and a sweat shirt or rain jacket. Preferring not to take anything into the game that he’s not going to use for the actual shoot, he unpacks in the car and leaves all the cases there. And that’s just for football. Baseball and basketball require extensive use of remotes. For baseball, options include an extra 70-200mm for home plate remote angles and then, instead of using both the 600mm and the 400mm, he’ll probably just cut it down to the 400mm with an extender: “With most of the ball parks on the West Coast, I’m good with the 400mm and maybe an extender if I wanna get tight.” Basketball, on the other hand, is “remote city, as many as I and my assistant have time to put up, and those depend on the building, like an overhead remote in the Staples Center that’s basically a 400mm straight down, and then behind the backboard is a remote with, usually, a 20mm or a 24mm. Basically a lot of wide’s, a long lens for overhead, and then on the court, I’ll use the 300mm or 400mm for down-court and then the 70-200mm or the 24-70mm for my end.” So far we have been talking about the relative calm, ease and control of shooting the live action of athletes of superhuman strength and speed in front of 70,000 or 80,000 screaming fans. The Olympics, on yet another hand, is a whole other animal. Earlier, we asked Miller if he scouts a stadium or venue before a shoot as he replied, predictably, that he did if it was unfamiliar or hadn’t shot there in a while.

 

Mike Lerner is a Brooklyn music photography. For several years he work for Justin Bieber tour photography. Like most people on the planet, Lerner was a huge fan of music. He would go to concerts and see photographers right up at the front of the action, and suddenly it clicked: that’s what he wanted to do. Without hesitation, he bought a camera and just went for it. Prior to this decision, he had been somewhat listless and drifting, but once he discovered his love of music photography, he became focused and dedicated. His images are characterized by a dramatic use of light and soft, organic-looking colors. However, monochromatic images are just as plentiful as the color ones, but they all share a fondness for playful light, be it the setting sun or hard shadows from a flash. Other elements found in many of his images are candid and intimate moments, and a graphic awareness in composition.

Leave a Reply

Your email address will not be published. Required fields are marked *